(Also, Mesphistopheles from Faust is NOT going to be on this list because it's not fair for all the other mortal villains. He lies on a totally different level of Villain and none of the other guys can compete with him. Sorry to all you Mephisto fans.)
This is Part 1 of my Operatic Villain posts, with the least evil characters featured.
|Luca Pisaroni as Count Almaviva|
Just a jealous husband. He literally has nothing better to do than to suspect his wife of infidelities, while he himself runs after any hoop skirt that passes by. I'm sorry if you don't know the plot of The Marriage of Figaro because it's absolutely AWESOME. Unfortunately I'm not motivated enough to summarize it in this blogpost, so google it or something. What's the worst thing he does? I'd say that sending a 13 year-old boy to army camp merely because you're way too jealous of your wife is kind of nasty. He's just a kid who is discovering life and sending him away because you consider him a threat to your marriage is silly. At least Cherubino should feel proud that Count Almaviva considers him a worthy opponent!
|Mariusz Kwiecen as Don Giovanni|
Don Giovanni from Wolfgang Amadeus Mozart's Don Giovanni
Controversial. Very controversial. I found so many different opinions of Don Giovanni's evilness. (Once again, Mozart's operas are too complicated plot wise for me to go through the trouble of trying to explain them in a comprehensible way. Google is your best friend.)
From one side, Don Giovanni is pretty bad. Despite his seemingly harmless behavior, he basically stripped several noblewomen of the honor they carried and then added insult to injury if they called him out on it. From the other side, they fell for him themselves. He abused Leporello when he burned the midnight oil and forced his servant to stand guard outside in the cold while he "entertained" himself. Pretty bad. Zerlina's sexual assault is a little shaky because from what I gather it's not a given that he actually tried to do anything violent. Or maybe he did, I don't know. Wasn't there, sorry.
|Marco Vinco as Don Alfonso|
|Danielle De Niese as Despina|
Count di Luna from Giuseppe Verdi's Il Trovatore
|Dmitri Hvorostovsky as Count di Luna|
He desperately loves Leonora, but she's a weirdo who loves a gypsy troubadour, Manrico, who also happens to be Count di Luna's long lost brother! Manrico's so-called mother, Azucena, accidentally burned her own baby instead of a noble baby when she was avenging her mother's death. What? Count di Luna can't seem to get his useless army of soldiers to catch Manrico and Leonora, who manage to escape from him every single time. The power of true love? And then the count finally captures Manrico when he gets Azucena; and then he wants Leonora to give herself to him in exchange for Manrico's life, but she poisons herself instead. Running to Manrico, she tells him that he is free to go and he accuses her of being unfaithful but when she starts dying realizes that she literally gave her life for him and decides to stay in jail instead of running off. When he is executed, Azucena tells Count di Luna that Manrico was, in fact, his brother, and he believes her! What? Why? And while di Luna laments that now he'll have to live on while his brother and love are dead, Azucena cries out Mother, you are avenged! So where is the count's crime of evilness in this? All he was doing was protecting his family name and trying to get his crush to like him back, right?
Stay tuned for Part 2